“For Julie and Eva” (2017)
Forthcoming in Temperatures, edited and designed by Lauren Francescone and featuring the work of artist Julie Goll.
“Friday Afternoon Newsletter (You, Dear)”, 2017
Forthcoming in Art Criticism and Other Short Stories, edited by Helen Reed.
“My Mineral” (2016)
Published as a Postscript for Artspeak Gallery’s exhibition The Accursed Share, curated by Marina Roy and featuring works by Deborah Edmeades, Derek Dunlop and Aleesa Cohene.
“Big Rock Candy Mountain: The Start of Something Bigger and Smaller” (2016)
Written to accompany the project Big Rock Candy Mountain by Hannah Jickling and Helen Reed, produced by Other Sights for Artists’ Projects and curated/ produced by Vanessa Kwan. Originally published online at bigrockcandymountain.com
“Public Art and the Mega-Event: Two Case Studies” (2015)
Published in a special issue of Canadian Theatre Review, edited by Peter Dickinson, Kirsty Johnson and Keren Zaiontz.
“The Polymorph” (2015)
Included in the publication Far Away So Close, Part 1, edited by Kimberly Phillips, published by Access Gallery on the occasion of the exhibition of works by Sarah Stein with Hyemin Kim, Erdem Taşdelen, Jim Verberg, Nicole Kelly Westman and Hyung-Min Yoon (September 13 – November 1, 2014)
Julia Feyrer: Kitchen (2014)
“Part 1: History Creeps: the grunt Kitchen and Julia Feyrer”
“Part 2: Recordings”
“Part 3: Notes”
Distributed over the course of Julia Feyrer’s residency with grunt gallery, and during her exhibition “Kitchen” in November/ December of 2014.
“10 blocks: Small Notes on the Public Imaginary” (2014)
Included in Placemaking: A Decade in the City, edited by Alex Lazaridis Ferguson, published by the PuSh International Performing Arts Festival, on the occasion of the festival’s 10th anniversary in January 2014.
“Not Flotsam: Kara Uzelman’s Stratiforms” (2013)
Included in the exhibition catalogue for Kara Uzelman’s exhibition “Stratiform” at 221A, curated by Kimberly Phillips and Vanessa Kwan.
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